Bartolome Esteban Murillo Hand Numbered Limited Edition Print on Paper :"The Immaculate Conception"
Title: The Immaculate Conception
Dimensions (W x H ): Paper Size: 20 x 28 in | Image Size: 16 x 24 in
Edition | Medium: Each print is hand numbered, accompanied by a certificate signed by the Master Printer and is numbered to match the print. The editions are limited to 1880 copies. |
This Gouttelette print on paper is published with light-fast inks to BS1006 Standard onto acid-free calcium carbonate buffered stock, mould-made from 100% cotton and sourced from environmentally conscious paper suppliers. This product is exclusive to Rosenstiels.
About the Art: Superior Edition
About the Artist:
Murillo was born in 1617 in Seville. His parents died when he was a child, and he went to live with a local artist, Juan del Castillo. As might be expected, Murillo's early works show Castillo's influence. Under him Murillo learned to turn out religious pictures that were sold to small churches in Spain and in the Spanish colonies in America.
At some point in his life, probably in the late 1640s, Murillo is believed to have visited Madrid. In any case, after 1650 his use of color and light and his natural, human portrayal of figures seems to show the influence of Diego Velazquez. In Madrid, Murillo would also have seen paintings by the Flemish and Venetian masters, and the work he did in Seville between 1650 and his death seems to show these influences, too. Because Murillo did not put a date on most of his paintings, these changes in his style are often used to determine the order in which he painted them.
Among the pictures painted when Murillo was a youth are several affectionate studies of the ragged boys and the flower girls of Seville. His later works are nearly all serene religious compositions, marked by splendid coloring, great technical skill, and pious intensity. One striking characteristic of these works is the illuminated mist, populated with angels and cherubs, that surrounds the central figures. The few portraits he painted are extremely lifelike. In 1660 Murillo helped found a public academy of art in Seville and served as its first president.
In 1681 Murillo was in Cadiz, painting the Espousal of St. Catherine on the walls of the Capuchin monastery there. He fell from the scaffold, and his death on April 3, 1682, apparently resulted from his injuries. Murillo was buried in the church of Santa Cruz in Seville
