John Paul Strain Hand Signed and Numbered Limited Edition Giclee:"Skirmish At Toms Brook"
Artist: John Paul Strain
Title: Skirmish At Toms Brook
Image Size: Paper 19 x 28/ Canvas: 16" x 24, 25" x 31" and 26" x 39"
Edition: Signed and Numbered Giclee - edition of 250 on Paper and 175 Canvas editions.
Medium: Giclee on Paper and Canvas
About the Art: Colonel Turner Ashby was the most skilled horseman in the Confederacy. Known as the "Black Knight" before the war, Ashby had won many equestrian events throughout Virginia and rode a large white stallion named "Tom Telegraph". In the early morning fog or on moonlit nights, Federal troops described a ghostly figure on a white horse moving along the hilltops and ridges of the mountains; it was Ashby. Federal leaders were constantly concerned about Ashby and his raids. One of their commanders complained to a cavalry officer about the damage Ashby and his soldiers were doing to the army. The officer replied, "I can't catch them sir. They leap the fences and walls like deer. Neither our men nor our horses are so trained."
As Stonewall Jackson's cavalry commander, Colonel Ashby led his men by example. His bold and brave leadership style was advantageous during combat operations, but his cavalry troopers lacked discipline, which at times created a problem for General Jackson when a large organized fighting force was needed. However when Colonel Ashby and his men were assigned to scout or strike at key enemy positions on the move, none were better than Ashby and his cavalry.
Such was the case in the Spring of 1862 when General Jackson relied on Colonel Ashby to cover the withdrawal of his army up the Valley Turnpike, with the Federal Army under General Nathaniel P. Banks in pursuit. Jackson's army had lost their first engagement with the Federal Army at Kernstown and was now vulnerable to follow up attacks. Ashby's cavalry had about 26 companies together with Chew's battery, to slow the enemy's advance. Their constant assaults and flanking maneuvers were conducted masterfully. One of the key skirmishes took place around the little town of Toms Brook on April 2nd. Using the stream and steep terrain to their advantage, Ashby and his men so rattled General Banks, that his advance stalled and would stop at the village of Edinburg. Thanks to Ashby, Jackson's Army was now able to fall back to the strong position of Rude's Hill outside of Mount Jackson to regroup in safety. -J.P.S.
Description: All Prints are sale priced every day! Professionally Frame any print from our dealer gallery starting at an additional $199 and receive free shipping!
Click here to view the framing options.
Title: Skirmish At Toms Brook
Image Size: Paper 19 x 28/ Canvas: 16" x 24, 25" x 31" and 26" x 39"
Edition: Signed and Numbered Giclee - edition of 250 on Paper and 175 Canvas editions.
Medium: Giclee on Paper and Canvas
About the Art: Colonel Turner Ashby was the most skilled horseman in the Confederacy. Known as the "Black Knight" before the war, Ashby had won many equestrian events throughout Virginia and rode a large white stallion named "Tom Telegraph". In the early morning fog or on moonlit nights, Federal troops described a ghostly figure on a white horse moving along the hilltops and ridges of the mountains; it was Ashby. Federal leaders were constantly concerned about Ashby and his raids. One of their commanders complained to a cavalry officer about the damage Ashby and his soldiers were doing to the army. The officer replied, "I can't catch them sir. They leap the fences and walls like deer. Neither our men nor our horses are so trained."
As Stonewall Jackson's cavalry commander, Colonel Ashby led his men by example. His bold and brave leadership style was advantageous during combat operations, but his cavalry troopers lacked discipline, which at times created a problem for General Jackson when a large organized fighting force was needed. However when Colonel Ashby and his men were assigned to scout or strike at key enemy positions on the move, none were better than Ashby and his cavalry.
Such was the case in the Spring of 1862 when General Jackson relied on Colonel Ashby to cover the withdrawal of his army up the Valley Turnpike, with the Federal Army under General Nathaniel P. Banks in pursuit. Jackson's army had lost their first engagement with the Federal Army at Kernstown and was now vulnerable to follow up attacks. Ashby's cavalry had about 26 companies together with Chew's battery, to slow the enemy's advance. Their constant assaults and flanking maneuvers were conducted masterfully. One of the key skirmishes took place around the little town of Toms Brook on April 2nd. Using the stream and steep terrain to their advantage, Ashby and his men so rattled General Banks, that his advance stalled and would stop at the village of Edinburg. Thanks to Ashby, Jackson's Army was now able to fall back to the strong position of Rude's Hill outside of Mount Jackson to regroup in safety. -J.P.S.
Description: All Prints are sale priced every day! Professionally Frame any print from our dealer gallery starting at an additional $199 and receive free shipping!
Click here to view the framing options.
Availability: Print only orders usually ship in 3-9 days. "Custom Framed" products are made to order by craftsman, so additional time is required. Please allow 3-4 weeks for delivery.
Framing (Paper) and Canvas Options No thank you, I just want the 19x28 unframed print. 16x24 Canvas Giclee Unframed, add (+$50) 25x31 Canvas Giclee Unframed, add (+$300) 26x39 Canvas Giclee Unframed, add (+$975) Medium Honey Oak Frame, add (+$199) Black Matte Hardwood Frame , DL-8, #325,add (+$199) Small Driftwood Frame, DL-3, #4755, add (+$249) Cherry Frame w/ Gold Liner, DL-5, #1870, add (+$249) RoseWood Frame, PR-2, #1890, add (+$249) Antique Gold Frame w/ Black Design, PR-4 , #95135, add (+$249) | Outer Mat Antique White #251 Black #221 Brick #231 Burgundy #38 Charcoal #257 Creme #223 Dark Brown #106 Dark Mahogany #88 Dark Spruce #125 English Rose Pink #151 Gold #568 Khaki #92 Light Gray #82 Linen #128 Mauve #154 Midnight Blue #131 Mist Gray #112 Navy Blue #230 Pale Moss #253 Pineneedle Green #411 Putty #90 Royal Blue #142 Sage Green #247 Silver Mist #130 Spiced Brown #710 Storm Gray #114 Wedge Wood Blue #124 | Inner Mat Antique White #251 Black #221 Brick #231 Burgundy #38 Charcoal #257 Creme #223 Dark Brown #106 Dark Mahogany #88 Dark Spruce #125 English Rose Pink #151 Gold #568 Khaki #92 Light Gray #82 Linen #128 Mauve #154 Midnight Blue #131 Mist Gray #112 Navy Blue #230 Pale Moss #253 Pineneedle Green #411 Putty #90 Royal Blue #142 Sage Green #247 Silver Mist #130 Spiced Brown #710 Storm Gray #114 Wedge Wood Blue #124 |
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