Tennessee Loveless Signed and Numbered Serigraph on Canvas: "No More Wire Hangovers"
Artist: Tennessee Loveless
Title: No More Wire Hangovers
Size: 24" x 19"
Edition: Edition of 50
Medium: Serigraph on Canvas
About The Artist: Tennessee Loveless is a Los Angeles based contemporary pop artist whose bold use of color and pattern evokes an immediate visual impact to the viewer, but also creates a poetic irony when one considers the fact that Loveless has limited achromatopsia colorblindness (almost complete colorblindness). Despite many obstacles throughout his life and career he has persevered in pursuing his career as an artist. He is driven by his passion for painting people and iconic fictional characters in a way that strikes an emotional and nostalgic connection through the power of the one thing he is blind to.
His new collection from Disney Fine Art explores his interest in high color and pattern saturated concepts. His primary focus at the moment is classic characters from the era of 1928 - 1945, Disney Villains, and Alice in Wonderland. Outside of his collaboration with Disney, Tennessee paints portraits of West Coast drag, cabaret, and celebrity personalities.
As a child growing up in Marietta, Georgia, Tennessee watched his peers identify and collect information based on this "invisible force" that people called color. He began to work within two worlds, one that operated in his own vision and perception and the other which he created in his attempts to relate to the rest of the world. This disconnect later ruptured a fascination with the unknown and he began to feverishly occupy his mind with the fundamental understanding of a chromatic world.
Tennessee's inability to distinguish most hues has never swayed him from creating art. If any thing, his disconnect from this in his early years made him obsessed with the forming of patterns, objects and shapes. He became attracted to the destruction of white space and became captivated with the idea of filling anything lacking in form with pattern. Later in life, he began attaching color to his subjects as he learned in color theory books which hues complimented or contrasted each other appropriately. He also communicates hue choices through an objective and synesthetic nature. The essence of his work is largely dedicated to the emotional pull and story telling element of color, expression, and pattern, and mostly importantly, the crossing of the senses.
Title: No More Wire Hangovers
Size: 24" x 19"
Edition: Edition of 50
Medium: Serigraph on Canvas
About The Artist: Tennessee Loveless is a Los Angeles based contemporary pop artist whose bold use of color and pattern evokes an immediate visual impact to the viewer, but also creates a poetic irony when one considers the fact that Loveless has limited achromatopsia colorblindness (almost complete colorblindness). Despite many obstacles throughout his life and career he has persevered in pursuing his career as an artist. He is driven by his passion for painting people and iconic fictional characters in a way that strikes an emotional and nostalgic connection through the power of the one thing he is blind to.
His new collection from Disney Fine Art explores his interest in high color and pattern saturated concepts. His primary focus at the moment is classic characters from the era of 1928 - 1945, Disney Villains, and Alice in Wonderland. Outside of his collaboration with Disney, Tennessee paints portraits of West Coast drag, cabaret, and celebrity personalities.
As a child growing up in Marietta, Georgia, Tennessee watched his peers identify and collect information based on this "invisible force" that people called color. He began to work within two worlds, one that operated in his own vision and perception and the other which he created in his attempts to relate to the rest of the world. This disconnect later ruptured a fascination with the unknown and he began to feverishly occupy his mind with the fundamental understanding of a chromatic world.
Tennessee's inability to distinguish most hues has never swayed him from creating art. If any thing, his disconnect from this in his early years made him obsessed with the forming of patterns, objects and shapes. He became attracted to the destruction of white space and became captivated with the idea of filling anything lacking in form with pattern. Later in life, he began attaching color to his subjects as he learned in color theory books which hues complimented or contrasted each other appropriately. He also communicates hue choices through an objective and synesthetic nature. The essence of his work is largely dedicated to the emotional pull and story telling element of color, expression, and pattern, and mostly importantly, the crossing of the senses.
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